New Image Art is pleased to present Patricia Renee Thomas’ inaugural solo exhibition, Honey Suckles.
Patricia Renee Thomas is a Philadelphia based painter who explores historical references of blackness to further investigate her personal environment. The content of Thomas’s work is filled with Jim Crow-era imagery which recalls blackface: Patricia’s way of probing the historical exploitation, exoticism and sexualisation of the black body. As a black woman, it the artist’s intention to make work about black women, she re-contextualizes the classic portrait through the lens of the other while implementing an uplifting colorful pallet.
According to the artist:
"The black body, or just existing while being black is a learning process for all black diaspora. I’m still learning myself. When I was young, I lived in a blissful naivety. I learned the basics of history, with a tenderness from my family and loved ones. When approaching adulthood, information came flooding toward me; the reality of racism, sexism and colourism. It was kind of a traumatic shock that I had to deal with. Learning so much history of hate and prejudice made me angry. Frankly, it gave me nightmares. How could I navigate this? How do I express the frustration of fully functioning racism that specifically pertained to me? I find painting about it, the fine line between the power of my history and playing with it’s imagery is quite relieving. It gives me a power and the ability to control it as well as how I want it perceived. By reaching past an uglier message I feel as though I can reveal more issues in the community. Through my work, I have the power to say something important visually, and your eyes have no choice but to see. I want my subjects to take up space. I paint about the things that I find absolutely beautiful, black men, women and children existing in that space, while attempting to convey a message about some of the issues I’m still living and seeing today."